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Older sister Dakota was beginning to move toward the spotlight in local theater productions and it would be only a few short years before the family set out for Los Angeles.

Fast forward to when Dakota was cast in the high-profile I Am Sam with Sean Penn, and Elle—not quite three years old—stepped into the same role as the younger version of her sister.

There, however, is where the talent-packed sisters parted ways in their professional pursuits. The producers of that film had originally intended to cast twins to handle the grueling shooting schedule, but were so impressed by Fanning that they chose to use only her.

From the start, the appeal of this wide-eyed, flaxen-haired beauty was obvious and hard to resist. What she managed not to do, much to her professional credit, was slip into the typecasting trap.

Behind that lovely camera-ready face were a fierce intelligence and emotional depth that belied her youth. By , Fanning had more than two dozen credits to her name and had crossed the threshold into her teens.

A remarkable growth spurt saw her shoot up seven inches by age twelve, and her physical presence began to carry the mature gravity her work had already demonstrated.

She hit the zeitgeist with a starring role in J. The first time she runs her lines, she invests the silly words with a depth of feeling that leaves her castmates stunned, and Super 8 briefly becomes a movie about the primal power of movie acting, as well as a revelation of Ms.

Fanning, who is younger than her character, shows a nearly Streepian mixture of poise, intensity and technical precision. It is frightening how good she is and hard to imagine anything she could not do.

That impression clearly remained with Scott. The challenge of portraying a living person is one Fanning meets beautifully in the film. Everyone was so perfect for his or her part.

Even though it was scripted, it had an ad lib feel to it that I liked because we could experiment and go off script. Retaining that momentum, despite her workload as a fulltime Los Angeles high school student, Fanning completed several major projects this year.

Stay tuned as she continues to expand on her achievements, granting us the pleasure of watching her blossom and blaze on screen and off.

Marin Art School. Film is how we preserve those moments eternally for our community of family and friends. We had the best seats in the house, and I thought to myself: remember this.

Remember that lunch—before it was served—was caught. Both Chiang and Wang have deep roots in the San Francisco Bay Area and, as immigrants and visionaries, have made extraordinary contributions in their respective artistic domains.

As the owner-founder of the beloved Mandarin Restaurant, Chiang pioneered a new style of Northern Chinese cuisine.

Centered around an absorbing, emotional interview with Chiang herself and sprinkled with colorful insights from Alice Waters and Ruth Reichl, this mesmerizing, moving tribute brings to the table a unique San Francisco success story.

But all those Cuban sandwiches thanks, Chef and perfectly crafted omelets your fault, Helen Mirren have nothing on the glorious food captured by Wayne Wang in Soul of a Banquet, a documentary as straightforward yet deeply meaningful as the signature dishes of its subject: Cecilia Chiang, longtime owner of influential San Francisco restaurant the Mandarin.

Soul of a Banquet is divided into two parts. The tastes of her Beijing girlhood would stay with Chiang and become a primary resource for the menu of the Mandarin—the first restaurant to introduce American diners to authentic, classical Northern Chinese cuisine.

She left China at the right moment—escaping Japanese occupation on foot in —and eventually made her way to San Francisco in Though Cantonese-speaking Chinatown proved unfriendly at first, Chiang was determined.

At the Mandarin, which later moved from Chinatown to an expansive space in Ghirardelli Square, she could challenge palates and make them swoon with her food amid elegant surroundings, while keeping a nearextinct part of Chinese culture alive.

Fortunately, she was in an utterly unique position to do so. Soul of a Banquet does touch on contemporary Chinese and Chinese-American chefs whose food may be innovative and tasty but which fails to incorporate the full range of history that goes into the cuisine.

Though she holds forth comfortably in English for most of Soul of a Banquet, here Wang films her recollections in her native tongue, with subtitles.

This graceful, tactful shift allows her to convey the emotions the trip awakened. The camera peeps through a car window at a quiet, darkened Chinatown; later, we observe women crafting various dumplings and ingredients being assembled, including a whole fish so fresh it gasps for air while waiting its turn on a pile of ice.

Director and subject also share Chinese heritage, though Wang is from Hong Kong, and is three decades younger his name, a nod to John Wayne, suggests a family that embraced American pop culture.

Would Wang like to film this person feast, to be prepared by Chiang and served in her dining room? Would he? Indeed he would, lavishing each course with the most mouthwatering close-ups since foodie doc Jiro Dreams of Sushi.

If that film left you with some very specific raw-. Wang chronicles each part of the labor-intensive process the prep work alone is exhausting: a lot of chopping, a lot of slicing, a lot of meat carved with surgical precision , spotlighting each item as it makes its way to the guests, Reichl among them.

Each item arrives with an anecdote, explanation, or special nugget of context from the hostess.

This opportunity to honor two people who have uniquely contributed to culture in San Francisco and beyond—one in front of the lens, and one behind—makes for a one-ofa-kind tribute at the Mill Valley Film Festival.

Both Wang and Chiang will be on hand for post-film discussion. This hopeful film explores a volatile discussion in American life and aims straight for the heart.

To us, building a strong community is the most valuable investment of all. Hollywood brilliant mind ensuring his success as a cosmologist, while his relationship came calling, and Redmayne has toiled steadily on both with fellow Cambridge student Jane sides of the pond, building a distinguished profile in The Wilde Felicity Jones promises a Good Shepherd, Elizabeth: The Golden Age, The Other fulfilling personal life.

With his perforSee page for complete film synopsis. Join us for a Spotlight program featuring a conversation with Eddie Redmayne and a screening of The Theory of Everything.

No small undertaking. For a young, vibrant, totally brilliant young man whose intellect is unstoppable and who has just fallen in love, the universe may seem infinite.

Yet he has just been diagnosed with motor neuron disease MND , a debilitating condition that, he is told, leaves him with a life expectancy of two years.

So, time is of the essence personally—and, professionally, he engages with the irony with a whole-heartedness that is nothing short of enthusiasm.

As we know, Hawking defied the prognosis but not the symptoms, and the unstoppable intellect continues to question the greatest of questions.

In a phone interview from his home in London, Redmayne described preparing for the role. And then, also, the illness.

And then the third one was James Dean, because there is something firstly iconic about him, obviously, but also deeply cool and flirtatious and sort of sexual.

I wanted to try and pay tribute to that, and all of those qualities you could see in him. Whenever I get cast as someone who lived, you go do all the research around it—and you do all the research in order to forget it.

You do try and get under the skin. But there were various elements that I found extraordinary. So there was the sexual element of the relationship.

Also, the idea that there was a certain strength, maybe a stubborn strength, to Stephen, that he refused to have help.

It was about the work, that capacity to keep looking forward and live as optimistically a life as he has, was pretty surprising and extraordinary. The interdependence of their lives is striking, both physically and emotionally.

I asked whether their work together as actors mirrored that interdependence. Not only a great dance partner, but a great strength.

What am I, who am I? And that was really about spending time with people suffering from the disease, and then specifically with Stephen.

How extreme that it takes such a horrific diagnosis to make you appreciate or live life as fully as possible. Enjoy sumptuous food and exquisite wines before or after your movie!

Check out our new private room available for parties. Just about anytime you watch an inspirational Academy Award clip montage or memorable film trailer, you are witnessing the genius of Chuck Workman.

In addition to creating short films and openings for 20 Academy Award presentations, Workman has directed the Oscar-winning short Precious Images, produced several documentaries Superstar, The Source, The First Years , edited main titles and sequences for countless film and television series, and crafted the iconic trailers for Star Wars, Close Encounters of the Third Kind, and American Graffiti, among many others.

Graceful, evocative, and always surprising, his work unerringly cuts pun intended to the heart of why we love movies, summoning echoes and stirring emotions that go far beyond simple nostalgia.

One [image] goes to another and one comes from another; that gives us more meaning in an interesting way. What these iconic, influential figures have in common is the restlessness and genius to go beyond the strictures and received wisdom that defined their art form.

They were modernists, more interested in new ways of telling a story—and capturing a moment—than with the story itself. To be special.

Yet I was allowed, and people are allowed, to do all kinds of great stuff, but only within your little box.

He honed and refined his editing style in the ensuing years, producing the groundbreaking compilation film Precious Images in to commemorate the 50th anniversary of the Directors Guild of America.

Comprised of nearly clips, the sevenminute piece won the Academy Award for best live-action short film, became the most widely shown short in cinema history, and was added to the National Film Registry of the Library of Congress in They had to look harder.

Think of the audience for Elizabethan drama in those days, or fine painting in the 19th century, or fine writing in the 20th century. With the Welles documentary completed, Workman seems less inclined to pursue another portrait of a filmmaker, although Kubrick and Jean-Luc Godard are tempting subjects.

If you find it a stretch to conceive of the same filmmaker poring over frames of black-and-white Hollywood classics for an Oscar tribute, Chuck Workman understands.

I looked at the Hollywood films as a bank of images and moments that were certainly melodramatic and not real.

In fact, I made a film about kitsch once for a think tank in Europe where I put in all those same shots that I used to put in the Oscars. But when you look at them just for the craft of the way the image is done, they reveal a lot.

Dolby and the double-D symbol are registered trademarks of Dolby Laboratories. Eleanor Leighton Meester , a working-class twenty-something from Oneida, is a bit down on her luck.

In what may as well be an alternate universe, year-old prodigy Reggie brilliant newcomer Julian Shatkin resides in an über-opulent Upper East Side mansion, heroically thwarting the efforts of his mother Debra Messing to normalize him.

Choose a projectit and make with: it Choose project and make happen. San Rafael - 4 5 9 - 6 8 8 4 iinfo srclubhouse. The Community Media Center of Marin empowers youth to connect with their communities in meaningful and rewarding ways.

High school students enrolled in our Media Corps program will harness their skills and creativity to produce electronic coverage of local film festivals, conferences, concerts, sporting events, and more.

We are preparing the next generation of media makers to educate, and enlighten our digital world. Everyone has a story. Let the Marin Media Corps tell yours!

For more information about Media Corps program, free Orientation, Workshops, or Programming, visit www. It's not the type of profession that you can simply take classes for in order to become a professional sorry, film school.

No joke. This magazine answered every question I had! Experience fine dining at Murray Circle restaurant with local, ingredient-driven cuisine by Executive Chef Justin Everett.

Skywalker Sound veterans Matthew Wood and David Acord will be on hand to discuss the sounds of the Star Wars universe, including some audience participation voice changing and sound effects trivia!

Get photos with authentic Star Wars-costumed characters! Come dressed as your favorite for the costume parade at the family screening. See mvff.

We would not be able to have such rewarding experiences without their dedication. Music speaks its own language, so even our foreign films have no dialogue.

The Boy and the World starts with simple washes of color and samba and ends with neon cityscapes, hip-hop, and scarcely a word spoken.

Shorts programs let musical notes tell the stories, too, including the wonderful 3D Sideshow, compiled by 3D enthusiast and scholar Robert Bloomberg, that features music videos and fascinating films, old and new, that let the third dimension sing.

Join us for refreshments, entertainment, short films, and fun! CFI Education provides students of all ages and diverse backgrounds the opportunity to learn about themselves and the world through film.

For 37 years, the Mill Valley Film Festival and the California Film Institute have pioneered creative film programs for the community, providing year-round screenings, interactive sessions with film professionals, and hands-on workshops to introduce students of all ages to film as a vibrant tool of creativity, communication, and cultural experience.

A seven-film, eight-month curriculum for students from diverse schools in the East Bay, San Francisco, and Marin. Five-day intensive workshops for youth from underserved communities use film as a visual storytelling technique and a tool for empowerment.

Youth are referred from various community social service agencies. Students write and film their own personal stories.

My Place 2. They learn how to watch, critique, and understand tricks of the moviemaking trade. Learn more about how you, your school, business, or organization can participate in CFI Education.

Multigenerational monthly daytime screenings feature previews of hard-hitting, topical documentaries, followed by discussions with filmmakers and special guests.

Attendees include school groups and. Since the mids, Laura Dern has been engaging audiences with her entirely unique and wholly authentic screen presence.

Her career continues to soar with recent cinematic hits The Master and The Fault in Our Stars, as well as her latest role in the buzzy new release, Wild.

Immediately following the screenings, celebrate the grand finale of the 37th Mill Valley Film Festival. Enjoy live music on the terrace or a martini in the Drake Room bar.

Her work for directors such as David Lynch and Alexander Payne has always been adventurous, quirky, original, and real.

Dern had a memorable bit as a nerdy, bespectacled girl at a party that gets out of hand. At 13, she had a more substantial role in Ladies and Gentlemen, The Fabulous Stains, as a member of an all-girl punk band.

It was barely released but has become a cult favorite in the years since. Smooth Talk, based on a Joyce Carol Oates story, was made for public television and released in theaters in Her distinctive gangly, rawboned beauty was an asset in playing a bored and After seeing that performance, director David Lynch cast Dern in Blue Velvet the following year, without an audition.

She plays the hometown girlfriend of Kyle McLachlan, and her sunny, clean-cut innocence is a beacon in the midst of depravity. But she also subtly demonstrated her passion for her boyfriend, and her commitment.

The film polarized critics, but the performances were all highly praised. Dern was up to the challenge. Again, critics were divided about the film, but were impressed with the performances.

Cage are constantly upstaged by the rest of the movie, they triumph. She is a character in a country-and-western ballad come to life.

Shot on digital video and at three hours long, the film was baffling to critics and filmgoers alike. According to Variety critic Jay.

Diane Ladd plays the family matriarch, and she also received a nomination, as best supporting actress. It was the only time that a mother and daughter were both nominated for acting roles in the same year.

This is a spectacular actress arriving at the very peak of her talents. But she understands the power of comedy to make political points.

An equally valid reason, of course, was the richness of the material, written by Payne and Jim Taylor. Dern plays an ignorant, glue-sniffing mother of four who finds herself pregnant again, and becomes a notso-innocent pawn of both sides in the abortion debate.

Desperate, kooky, as devious as a pack rat, her Ruth grows likable, and even heroic, by remaining too pure a scoundrel to be taken in by the phonies around her.

More recently, the lifelong Democrat played a Republican politician in the television movie, Recount, about the presidential election. These days, Dern, now 47 and the mother of two, is putting her maternal experience to use in playing mothers in two recent films, The Fault in Our Stars and Into the Wild.

In the former, she plays the mother of a child with cancer; in the latter, a woman who is dying of lung cancer. Long may her freak flag fly. We serve until midnight.

Our banquet room seats up to people. Full bar. We deliver hot food to your door. Latin-American and Spanish-language cinematic gems from around the globe come right here to Marin County.

The hard and soft sciences and their passionate practitioners are the subjects of these inspiring and revelatory films addressing the mysteries of matter and mind in illuminating and artful ways.

The latest in documentary filmmaking, from heartfelt stories of activism to historical pieces, to current events. A showcase for new films from around the US by master and emerging filmmakers who share a talent for independent storytelling.

Stories from six continents that will change the way we understand our global neighbors and ourselves. An assortment of short cinematic gems, sometimes preceding feature films, sometimes in a program of their own.

Many amazing feature films start their journey to the big screen as shorts. Catch them now! Kirk, a noted horror movie aficionado presents an unadulterated, schlock-filled, Z-movie euphoria, late-night screening of the favorite Dracula vs.

See page 93 for complete information on the live event, A Musical Celebration of Jaco. Lars makes a cutting-edge selection with Whiplash.

This indie feature about an aspiring drummer and his ruthless teacher won multiple awards at Sundance this year. Following the screening, director-screenwriter Damien Chazelle will join Lars on stage for a conversation.

Be sure to catch it. Festival badges not valid. Shankar And special guests. Home to the renowned community of independent feature and documentary filmmakers whose incredible films have won 23 Oscars and 43 Oscar nominations.

Professional comedians and award-winning filmmakers weave together film and live stand-up comedy for a unique storytelling experience—a hilarious and memorable journey into the lives of three gifted comedians.

An evening that is part movie, part stand-up, all funny, this live comedy event follows the world premiere of the film 3 Still Standing. See page for film details and ticket information.

Buon Appetite! Winters on stage. An evening for the ages. Join us for an informal celebration of the life of one of the most beloved and brilliant members of our community: Robin Williams.

His connections with Marin run deep, from his time at Redwood High School and College of Marin, to sightings on his bike, at local coffee shops, and trying out new material at Throckmorton Theatre.

He trained at Juilliard, won an Oscar and a Grammy, and amassed a legendary body of work on screen and stage with his force-of-nature comedy. Details and guests TBD.

This is a free event, but will be ticketed. After the credits roll and the lights come up, onscreen images continue to have significant impact.

Transforming ideas into action is what Active Cinema is all about! Meet at Tennessee Valley trailhead parking lot. Hike to the ocean.

Share ideas and the view. Some of the best information is garnered in peer-to-peer connections. Join Festival staff and guests to hike and exchange ideas and wisdom on filmmaking, filmmaker resources, activism, and strategies for action.

Bring water and sunblock, wear good hiking shoes. Get some fresh air and fresh ideas with filmmakers, friends, and cinephiles during this hour-long hike through beautiful terrain.

All are welcome! All New Movies Lab participants are subject to change; find updates and complete program details at mvff. Edited versions of the discussions will be available at variety.

Tam—and in particular, efforts to remove the remnants of the old military base on top of the West Peak. COM Open enrollment for affordable health insurance is November 15, — February 15, Gabrielle hamilton Prune Cookbook Sun.

Legendary and Warner Bros. Lastly, Joe Kayser presents two short docs for the Marin Humane Society: The Page Turners US, 4 min , about a dyslexic girl who discovers other kids reading to dogs at the library; and The Rabbit Whisperer US, 5 min , an inspirational story of a stroke sufferer who volunteers at the animal shelter.

It shakes up to the volcano. And then it starts to scream. And Lord, it makes me tremble. Nonverbal or in English. The Argentinian Llama Drama gets us off to a hilarious start.

The French LaMi in three segments tells the story of the notes of the scale as they make friends. The Australian The Gallant Captain is a boy on a mission.

All ages. Thrill to these depth-defying shorts, all in 3D! See for yourself in The Infernal Cauldron France, 3 min.

US, 4 min excerpt. US, 6 min , Mickey Mouse takes a special wagon ride. Experience the cutting edge of film technology!

Watch online a selection of up to 15 short films—abstrac t, narrative, technical, and genre-bending—and vote for your favorite.

The filmmaker finalists will be included in this free showcase. Join us as we go boldly into the future of digital film!

Voting begins September 15, and runs through October 8, Please see page 25 for more details. Thursday, Oct 9, pm Sequoia 2.

In Spanish with English subtitles. Sergi, hesitant at first, encourages Alex to follow her dream, leaving them with only one way to bridge the divide: digital.

As the days roll by, Skype acts as savior, and we witness the happy, painful, and revelatory process of a long-distance relationship sustained—and reinvented—through the ether.

Life has been one extraordinary, accidental adventure after another for explosives buff Allan Karlsson, and he sees no reason why the fun should stop at age Pursued by both a lackadaisical policeman and a pack of dim-bulb thugs in the employ of an English gangster, the droll centenarian hits the road with an expanding circle of quirky acquaintances.

The whimsical and witty score is by Matti Bye, whose acclaimed ensemble is a perennial favorite at the San Francisco Silent Film Festival.

Lonely widow Budhi— distraught since her farmer son, drowning in debt, took his own life—has nonetheless found comfort and balance among her fellow villagers.

With a Technicolor palette and buoyant original songs, this deeply humanistic morality tale is a feast for the eyes, ears, and brain, and lingers long after the credits roll.

This screening is free for CFI members. Get your complimentary ticket at mvff. Agents—and Vegas—came calling, and why not? Robin Williams, Dana Carvey, Paula Poundstone, Bobcat Goldthwait, and numerous others were honing their unique talents beneath the same spotlights and becoming stars.

What did these three comics do? They kept telling jokes however they could—and they still do. This loving, lively documentary—packed with hilarious vintage footage, intimate interviews, rat-atat editing, and a jazzy score—captures the triumphs and struggles, the art and dedication, of three indomitable performers who still bring it every time.

In Persian with English subtitles. From the courtship of her youthful leftist parents through the tumult of the Iranian Revolution, her own rebellious upbringing, courtship, motherhood, and eventual solitude, our narrator takes stock of the things that matter the most, while fantasizing about other things she always wanted to do but knows she never will—like bungee jumping, shaving her head, or seeing Madonna in concert.

A young British army recruit is stranded in the bombed-out warrens of a riot-rocked Belfast in this potent thriller of survival that takes place over the course of one hellish day, one year before Bloody Sunday.

After becoming separated from his unit during a house raid-turnedriot, an unarmed Hooks escapes through the backstreets, and we witness 24 hours of his fiery baptism.

This trio of shorts delves into the lives and decades-long careers of three brilliant Bay Area artists: sculptor Jerome Kirk, metal artist Victor Ries, and painter Wilma Daubenspeck Cliff.

A hard-working insurance broker, he is a stand-up guy with a wife and two sons, a big house, and a pool. Hiding his unemployment from his wife, he grows increasingly desperate as the financial walls start to cave in.

Then, almost accidentally, Bill discovers a different, riskier line of work—and he gets good at it. But his wife and new buddy Frank Jason Isaacs , a cop whose own moral code needs some fine-tuning, begin to suspect something is awry.

In ALLoT, Sanborn attends his 40th high-school reunion with a film crew to interview former classmates and gain a measure of closure on some openended chapters of his life.

High school is, after all, where you dream with friends about what you will do with your future. The Bauhaus-influenced Metal Man, respected teacher, and visionary in liturgical sculpture was Victor Ries, who died last year at age , leaving behind metal artworks of all kinds and sizes, from jewelry to altar installations in places of worship.

This is the story of his incredible life and career. At 95 years old, Wilma Daubenspeck Cliff is an undiscovered painter with a remarkable sense of color and a life well lived— though not without tragedy.

In this short, the artist narrates her journey. In German with English subtitles. In this sumptuous costume drama set in late—18th-century Germany, two aristocratic sisters fi nd themselves drawn inexorably to the young Sturm und Drang poet Friedrich Schiller and daringly forge a lifelong secret triangle.

When younger sister Charlotte von Lengefeld fi rst meets Schiller in , he is a penniless dramatist whose early controversial writings— and penury—render him an unsuitable husband.

But Charlotte and her married sister Caroline discover an intoxicating kinship with Schiller and his Romantic ideals of universal knowledge and the transformational power of literature.

Gorgeous period details, breathtaking sylvan landscapes, and a refreshingly modern sensibility animate this speculative drama based loosely on historical events.

Together, they had been raising their biracial granddaughter Eloise—played with wise-child aplomb by newcomer Jillian Estell. As the custody trial unfolds, so do latent prejudices and assumptions on both sides.

See page 49 for complete Centerpiece event pricing and information. Traveling from his rainforest playground through the cotton harvests and factories where people like his father find work, to the anonymous city littered with a confusion of signs, billboards, and flyers that tout the values of a commercialized society, the boy keeps looking for his father.

He sees his birds, trees, and song replaced by endless lines of trucks, piles of trash, and displaced people and knows only that he wants to restore his happy family and life of color and wonder.

But the new world has chosen progress—armored monsters razing forests and people turned into identical, anonymous commodities—over traditional ways of life, cultural heritage, and natural diversity.

Awash with color, motion, music, and wonder, The Boy and the World is an experience meant for the big screen, even as it precisely captures the viewpoint of one so small.

In this emotionally charged and suspenseful narrative, Nilsson reflects on the subject of domestic terrorism from the perspective of those lured into its web.

In the aftermath of the Occupy movement, this gripping and ruminative film takes a sobering and speculative look at who is Right and what is left of the Left.

There are only dancers. But, more dramatically, it challenges our expectations about illness and art. He follows the proceedings with rapt attention, as men and women of diverse backgrounds fi nd acceptance and unlock potential in a common cadence.

Aaron, a military veteran suffering from injuries that left him suicidal, learns to care for a horse named Fred, and through their relationship begins healing the terrible, invisible wounds of war that had nearly defeated him.

In English and Punjabi with English subtitles. For Laila, a British Pakistani, and Aaron, her Scottish boyfriend, life on the lam is less than cozy as they struggle to get by on what she earns as a hairdresser.

Her bullying dad, outraged by the perceived dishonor she has brought upon the family, hires a couple of white thugs to bring her home, with her brother providing back-up.

The suspense and macho bravura of a classic western meet the raw sensibilities of the Red Riding trilogy MVFF as the pursuit of the runaways is underscored by clashes of race and gender politics.

This gloriously dark comedy features a well-loved cinematic scenario: A group of outcasts comes together to put on a show. Downtrodden, depressed, and otherwise not-quite-rightin-the-head, this bunch of mostly lovable misfits lives in a claustrophobic, one-horse industrial town where not much is going on.

They mount—what else? Breaking every rule of stagecraft, the untrained actors embrace their characters and the tropes of movie Westerns— good versus evil, civilization against the wilderness—and, in the process, change the course of their lives.

Based on a popular, award-winning Croatian play, Cowboys is part social drama, part farce, and all wacky, with a denouement that will have everyone cheering in the aisles.

From conception through its ultimate exhibition, the process is shown to be a true labor of love by the stoic Simons and a dedicated, charming, and often humorous team of collaborators.

In French and German with English subtitles. In the predawn hours of August 25, , Paris was almost obliterated.

That it was not is reimagined as an all-night act of desperate diplomac y in this crackling World War II drama. Bound by duty, von Choltitz is not blind to consequences, and the impossibility of his position—for him, every choice sacrifices something vital—is unexpectedly moving.

Nordling has no answer, and the question rings loudly today. Carrol Naish, Lon Chaney Jr. Frankenstein is mindless, lowbrow dreck without artistic merit.

Frankenstein on the big screen! Come one, come all! Behold the twisted visions of fabled schlockmeister Al Adamson!

See legendary Lon Chaney, Jr. Witness the strangest Count Dracula of all time, Zandor Vorkov, recite his dialogue through an echo box! Watch brain-dead hippies, a drugged-up lounge singer, and a wild-eyed mad scientist J.

Carrol Naish try to explain what the hell is happening around them! Who needs coherence, polish, and subtlety when every line of semi-philosophical dialogue mixes with random shots of miscellaneous objects and locations to create nonstop giddiness, unexpected hilarity, and overwhelming wonder?

This is unadulterated Z-movie euphoria. See page Having met while on the faculty at Harvard in the early s, the seemingly disparate intellectuals quickly formed a bond that lasted for decades.

Alchemy, Inc. Obliged to deflect and reflect stereotypes and racism from other students, in addition to all the usual challenges that go with stepping up a level, they must draw on every internal resource.

At a certain point in this intimate and poetic film, a new group of sixth graders takes their place behind the drums. The circle remains unbroken.

In Spanish and English with English subtitles. After playing together for years they have developed their own unique sound: acoustic metal with flamenco and salsa influences.

That they have succeeded is evident in generous performance excerpts and testimonials from musicians like Al Di Meola, Peter Gabriel, and Robert Trujillo of Metallica.

In Swedish, English, and French with English subtitles. Writer-director Ruben Östlund began his career making ski fi lms, and he returns to his roots with several exhilarating action scenes.

Shooting in the Alps, he and cinematographer Fredrik Menzel make the most of the location, the humans and their problems small against the majesty of the mountains.

Off the slopes, Östlund observes his characters sharply but with detachment, in a cutting portrait of a pictureperfect family unraveling when its illusions are laid bare.

This richly atmospheric drama boasts outstanding performances, with evident physical demands on Tatum and Ruffalo, but Carell is a revelation as the eerie aristocrat, his otherworldly manner and sinister cadence providing strong contrast to the blue-collar brothers as he steers the foreboding narrative to its inexorable conclusion.

A group of Oakland teens finds personal liberation and mutual support while working toward a collaborative performance at Destiny Arts Center, an organization devoted to youth empowerment through dance, theater, and martial arts.

Not that the very real challenges before these young people will simply disappear. Candid discussions of poverty, alienation, HIV status, sexual abuse, and gang violence arise as dauntingly complex, if not insurmountable, obstacles to happiness.

This film explores how and why perfectly normal people endure—and thrive—during a hard swim workout at am, five days a week.

Dance performance by Destiny Arts members at Oct 11 screening. A wildly entertaining and inspiring ride exploring what it means to be human in our increasingly connected world, The Future Starts Here is an Emmy-nominated original series by Tiffany Shlain: acclaimed filmmaker, founder of the Webby Awards, and Mill Valley native.

Season one of the web series was an instant hit, with over 20 million views, delving into the nuances of motherhood, robots, and tech etiquette.

The surging price of ivory has given rise to organized gangs that hunt and kill these majestic creatures for their tusks, usually leaving orphans in their wake.

Continuously on the lookout and always ready to come to the rescue, the David Sheldrick Wildlife Trust has a well-established protocol for transporting and caring for the traumatized baby elephants and, just as crucially, a remarkable record of successfully reintroducing them to the wild.

Everyone we meet in this eye-opening film—from pilots to nursery keepers, antipoaching trackers to Dr. Dame Daphne Sheldrick, who founded and continues to lead the organization in its fourth decade—gives proof that the serpent does not rule the garden.

Watch how the Jane Goodall Institute uses mapping technolog y on mobile devices f o r f o r e s t m o n i t o r i n g a n d c h i m p a n ze e con ser vation.

In Hebrew with English subtitles. It is my right. From the opening seconds to the closing credits, this epic tale, set against the Civil War, focuses on the cold-blooded realities of gold-hungry bounty hunters and the people they love to kill.

Pulsing with reckless energy, this exploitation art-film brims with colorful, cold-blooded people, breath-taking visuals, and penetrating twists on the Western framework that will leave you gasping and grinning at once.

This version contains restored footage. Coming together at a remote rural estate, Leah, Max, Jack, and Charlotte embark on their new life together, one that is communally erotic, fully egalitarian, deliberately bereft of technology—beyond a well used record player—and cut off from the outside world.

Exhibiting immense respect for the intricacy and intimacy of her subject matter, Coates sketches a remarkable portrait of a generation seeking significance in their lives, crafting a haven of idyll and communion as respite from the isolation of the modern world.

See page 32 for complete Opening Night Gala details and pricing. Good-hearted grasshopper Hoppity returns to Bugville to find Mr. They should worry more about C.

The whole family will enjoy the rich colors, buzzy animation, and swinging songs by Hoagy Carmichael and Frank Loesser. It has given us personal computers, medical breakthroughs, and a man on the moon, yet mathematics still gets a bad rap, forever doomed to be the academic version of spinach.

Enter French filmmaker Olivier Peyon Stolen Holiday , who sets out to dispel the myth that math is only for brainiacs or less lyrical than poetry.

Giving a forum to students and stockbrokers, Stanford and UC Berkeley professors and Fields Medal-winners, the filmmaker creates a degree portrait of the ways math affects our everyday lives.

Holden Warren Editor Michelle M. Witten Print Source Fushia Films. This they do, with a commitment and honesty that creates performances worthy of the Kennedy Center, where their premiere will be held.

Guided by their dedicated, charismatic director, the women find inner strength working through layers of personal pain—a feat that is a testament to the power of art.

In recounting their tales, they learn to become commanding, professional performers in control of their stories, no longer victims of their pasts.

All of his equally brilliant academic colleagues are scraping by at minimum-wage jobs, scamming gypsy card games, or applying for entry into local crime syndicates.

After chasing down one of his delinquent students at a nightclub, he receives payment in the form of a cocktail laced with legal designer drugs.

Pietro probes into the government loophole of this criminal endeavor and hatches a plan involving the unique talents of his scholarly band of post-doctoral brothers.

What happens when a theoretical chemist, a macroeconomist, an anthropologist, a neurobiologist, and two Latinists walk into a bar?

First-timer and director-towatch Sydney Sibilia assembles a witty, energetic script, nimbly executed by his charismatic cast, with nods to Breaking Bad and Trainspotting, yet spiked with its own signature blend of withering social satire and buongusto.

In Yunnan Chinese and Burmese with English subtitles. In this stunning, naturalistic film set in Myanmar, drought and despair lead a young farmer to risk everything for family and survival.

Faced with a failing vegetable crop, the farmer pawns his cow for a moped and starts a taxi service in the city. In six months, he must make enough to buy the cow back, or it will be slaughtered and sold for meat.

His new venture is proving to be another failure until he picks up his first fare, a woman desperate to leave an arranged marriage in China and bring her son back to live with her.

All sorts of nonfiction and fiction stories are woven together in a tapestry of frustration, melancholy and burlesque. The first part combines the stories of three workers: The redundant shipyard worker's story is intercut with an account of a local apiarist who's fighting an invasive Asian wasp species.

The third worker is Gomes himself who escapes his responsibilities when he realises the impossibility of the task before him.

The storytelling job thus falls to his fictional protagonist, Scheherazade. First tale: What initially seems like a re-creation of a troika meeting slowly devolves into an absurd tale of an African wizard showing up with a spray that magically cures impotence.

In the second tale a judge puts a cockerel on trial for crowing too early; the animal ends up getting a fair share of votes in a municipal election.

The last section features a trade unionist interviewing unemployed citizens before a traditional dip in the Atlantic on New Year's Day and a beached whale that explodes.

The book — much more than the film — is very scatological, sometimes very violent. It's completely punk, this book.

And because it comes from popular culture, it has very extreme things, very direct feelings, and primal things too.

I wanted this film to echo this kind of feeling. Rojen leta v Lizboni. Born in in Lisbon, Gomes graduated from the Lisbon Film and Theatre School and worked as a film critic for the Portuguese press between and He rose to international attention already with his shorts.

Tabu won two awards at the Berlin Film Festival and was sold to over 50 countries. V prvi zgodbi spoznamo ostarelega kriminalca, morilca Simaa, z boleznijo, zaradi katere se tudi ob prenajedanju ne zredi.

V drugi zgodbi spremljamo sodni proces, ki poteka pod milim nebom. Inspired by Scheherazade's stories, Miguel Gomes' trio of pics acts as a melancholy paean to a broken Portugal and a denunciation of European financial control.

Scheherazade tells three more tales. The crushing social impact of Portugal's recent austerity policies remains the running theme. Her first tale centres on an elderly fugitive Simao, suffering from a disease that prevents him from getting fat even though he eats heartily.

He roams the countryside trying to elude the police, who are looking for him for several murders. In an ironic turn of events, he becomes a local hero simply because he manages to defy the much-hated authorities.

The second tale shows a stern judge hearing a case that starts out quite simply but quickly grows so convoluted that everyone in the audience turns out to be implicated.

The third tale follows the perspective of a poodle, Dixie, as she is shuttled between multiple owners in the same working-class suburban housing estate — a tower block that compresses the joys and sorrows of an entire nation.

Protagonistka tretjega dela Gomesove sage je [eherezada sama. Of all the stories that Scheherazade recounts in the three films, the one in which she herself is the star is the most lushly imagined.

Shot at the evocative Chateau d'If, the film introduces both herself and her father, the Grand Vizier. As Scheherazade continues to tell her stories she meanders from the castle to the "Baghdad Archipelago", where she meets a variety of characters including the well-endowed Paddle Man, who has children.

The majority of the third film's two-hour running time chronicles the world of some Lisbon-area bird trappers who try to teach their chaffinches different songs for birdsong competitions.

Mojstrski preplet intimne drame in dobrih starih tv-kriminalk. Sherlock Holmes je star 93 let. To se zgodi Holmesu v tej zgodbi.

A portrayal of the famous detective as an aged gentleman flooded by old memories and trying to make peace with himself. A masterful blend of intimate drama and good old TV whodunits.

Sherlock Holmes is now 93 years old. He has never worn the legendary hat and, rather than the pipe, has always preferred a cigarette.

Long since retired, he steers clear of people and dedicates himself to bee-keeping. Much of what he is purported to have done in the heroic stories has simply been made up by his faithful associate, Watson.

The only people he suffers to be around him are housekeeper Mrs. Munro and her small son Roger, whom Holmes is initiating into the secrets of his study.

Age brings humility more than anything, a sense of being less sure about the things that you were sure about before. It's more a bedrock of feeling you know who you are and what you do, but also more aware of all the possibilities.

Rojen leta v New Yorku. He is best known for directing and writing the critically acclaimed film Gods and Monsters, which earned him the Academy Award for Best Adapted Screenplay.

In , he won a Golden Globe for his film Dreamgirls, and has directed the two final installments of the Twilight series. Holmes Gospod Holmes.

Stegne 3 Ljubljana E manja. An absurd and comical take on modern-day relationships and the first English-language film by Greek filmmaker Yorgos Lanthimos.

A love story set in the near future where single people, according to the rules of The City, are arrested and transferred to The Hotel.

There they are obliged to find a matching mate in 45 days. If they fail, they are transformed into an animal of their choosing and released into The Woods.

After several futile attempts to connect with a woman, a desperate Man decides to escape from the Hotel.

Rojen leta v Atenah. Since he has been involved in filmmaking as well as in direction of theatre productions and TVcommercials. He became a prominent European filmmaker by developing his own absurdist and allegorical style of storytelling in Kinetta, Dogtooth and Alps.

A bracing, claustrophobic psychological drama and a thrilling examination of a deeply complex relationship between two women whose bonds of friendship are fraying.

Catherine has entered a particularly dark period in her life: her father, a famous artist, has recently died, and on the heels of his death she's dumped by her boyfriend James.

Looking to recuperate, Catherine heads out to her best friend Virginia's lake house for some much needed relaxation. However, once Catherine arrives relaxation proves impossible to find, as she is overcome with memories of time spent at the same house with James the year before.

But Virginia begins spending increasing amounts of time with a local love interest, Rich, and fissures in the relationship between the two women begin to appear.

On Listen Up Philip, I didn't want the women to act as functionaries for the men's journey but in this film that is what the men are. In talking about Philip for so long I started realizing things about it, and wondered if I could make a movie that doesn't deal with any of these issues of being a young man and how great would it be to make a movie where the first question I'm asked isn't, 'Is the main character based on you?

Born in Bryn Mawr, Pennsylvania in He embarked on his cinematic career with a low-budget feature, Impolex, made for only USD 15, The final part in Hal Hartley's trilogy about the Grims is a tale of revenge, failure and family ties that makes good use of Hartleyesque signature irony and absurd humour.

When Ned Rifle turns 18, he decides to leave the witness protection programme and kill his father Henry. His father is responsible for having put Ned's mother Fay in prison where she is now doing life for treason.

Ned's foster father, who has encouraged him to become a Christian, is not at all happy about his plans, and Ned's uncle is also concerned.

In those years reading all the newspapers was like reading a spy novel or a political thriller. It occurred to me that Fay — minimally educated, naturally intelligent, basically decent, but habitually incurious and hilariously uniformed — would be the perfect representative American to tangle up in the vicious and irrational spasms of international relations.

At the age of 30 Hartley made his feature debut with The Unbelievable Truth. Hal Hartley is recognised as a trailblazer of independent American cinema.

With a prolific artistic career of 45 years to her name, Laurie Anderson boldly delves into the art of narrative filmmaking and uses the medium to pay tribute to Lou Reed, her recently deceased husband.

Fusing her own witty, inquisitive narration with original compositions, hand-drawn animation, home movies and artwork, Anderson creates a hypnotic, collagelike visual language out of the raw materials of her life and art, examining how stories are constructed and told to make sense of our lives.

Kako so ustvarjene in kako jih pripovedujemo? Moja vodnika sta bila tudi Wittgenstein in Kierkegaard. The question at the center of Heart of a Dog is: What are stories?

How are they made and how are they told? Throughout I was guided by the spirit of David Foster Wallace whose 'every love story is a ghost story' served as my mantra.

My guides were also Wittgenstein and Kierkegaard. What You Mean We? American experimental performance artist, composer and musician who plays violin and keyboards and sings in a variety of experimental music and art rock styles.

She became widely known outside the art world in with her single O Superman and the Big Science album Blending gangster film and comedy, the indefatigable master of crime cinema Takeshi Kitano is returning with his signature approach that has earned him international repute.

Ostareli gangster nekega dne prejme klic sleparja, ki se pretvarja, da je njegov sin, in od njega zahteva zajetno vsoto denarja.

Ryuzo is a retired yakuza gangster who lives a quiet unassuming life with his son, Ryuhei. One day, the old gangster receives a call from an impostor pretending to be his son asking for a hefty sum of money.

Ryuzo sees through the trick. Re-uniting his seven former henchmen to strike back, Ryuzo learns that they have all grown weak with old age. The elderly yakuza members soon learn that they must overcome their weaknesses if they are to prove to be a match against the much younger opponents.

Rojen leta v Tokiu. Born in in Tokyo. First performing in theatre and then, under the fictitious name of 'Beat', Kitano became one of the most popular Japanese media personalities.

A director, screenwriter, actor, TV-show host, painter, columnist and novelist, Kitano directed his first film at the end of the s, and is today one of the foremost figures of contemporary Japanese cinema.

Fireworks received first prize at the Venice Film Festival. Glory to the Filmmaker! A delicate life story replete with childlike joy, Kore-eda's latest film is based on the eponymous manga bestseller.

Three sisters, Sachi, Yoshino and Chika, live together in a large house in the city of Kamakura. When their father — absent from the family home for the last 15 years — dies, they travel to the countryside for his funeral, and meet their shy teenage half-sister.

Bonding quickly with the orphaned Suzu, they invite her to live with them. Suzu eagerly agrees, and a new life of joyful discovery begins for the four siblings.

It is the beauty that arises from the realisation — not sorrowful but open-hearted — that we are just grains of sand forming a part of the whole, and that the town, and the time there, continue even when we are gone.

Rojen leta v Tokiu, Japonska. Born in Tokyo, Japan. After graduating Kore-eda joined the TV Man Union where he directed several prize-winning documentaries.

In , his directorial debut, Maborosi, entered the Venice International Film Festival's competition programme.

His second film, After Life, brought him international acclaim. The director's works sensitively treat crucial human issues, often featuring children in leading roles.

Despite the official ban on filmmaking Jafar Panahi's defiant taxi drives candid camera through the streets of Teheran. A yellow cab is driving through the vibrant and colourful streets of Tehran.

Very diverse passengers enter the taxi, each candidly expressing their views on present-day Iran while being interviewed by the driver who is no one else but the director Jafar Panahi himself.

His camera placed on the dashboard of his mobile film studio captures the spirit of Iranian society through this comic and dramatic drive.

V ospredje postavim idejo Filma kot Umetnosti. I can't do anything else but make films. Cinema is my expression and the meaning of my life.

Nothing can prevent me from making films. Because when I'm pushed into the furthest corners I connect with my inner self.

And in such private spaces, despite all limitations, the necessity to create becomes even more of an urge.

Cinema as an Art becomes my main preoccupation. That is the reason why I have to continue making films under any circumstances to pay my respects and feel alive.

Rojen leta v kraju Mianeh, Iran. Leta mu je iranska oblast za dvajset let prepovedala filmsko ustvarjanje. Born in , in Mianeh, Iran, Panahi studied direction before starting his career as a documentarian and as assistant to Abbas Kiarostami.

Though a highly appreciated Iranian director in the West, in his homeland Panahi remains to be one of the most persecuted artists. In the Iranian authorities issued Panahi with a twenty-year ban on filmmaking.

Tales is Banietemad's first fictional film after almost a decade of self-imposed ban on filming spurred by the exasperation with the national cultural policy.

Seven people in Tehran: intellectuals, artists, workers, civil servants. As if in a documentary, the camera accompanies them through their everyday lives.

This journey takes in a man humiliated by the bureaucracy, a shamed and abandoned single mother, a terrifying snapshot of meth addiction and more.

Their stories criss-cross and connect to become a mosaic of Iranian society in a genuinely empathic close-up, in which issues like the position of women and the role of the regime become tangible.

Vse te pomisleke sem imela v mislih med pisanjem scenarija. There was no budget, no licence to make the film, and yet a group of highly professional actors and the best and most efficient crew gathered with exceptional energy to make this possible.

We had to wrap the film as quickly as possible before hitting an obstacle and having to stop the project altogether.

I had all of these points in mind while writing the script. Rojena leta v Teheranu. Born in Tehran in After studying at the University of Dramatic Arts in Iran, she made several documentaries for Iranian television.

In , she directed her first feature film and gained renown as the leading Iranian filmmaker. Her films reflect intense social and political awareness and dauntlessly address the suppressed issues of Iranian society.

In , she received an honorary doctorate from London University. Dvajset let po filmu Kako sem se prepiral Twenty years after My Sex Life However, he runs into passport trouble at the airport.

He ends up in an interrogation room to sort it out — and the real interrogation begins: of his own memories.

Divided into three cinematic chapters, the story chronicles Paul's golden days: his childhood in Roubaix, his mother's attacks of madness, turning sixteen, his trip to the USSR, his friends and his years as a student in Paris.

Above all, Paul remembers Esther. She was the heart of his life. Ga bom sposoben napisati? V velikih skrbeh sem bil. Would I be able to write it?

I had great anxiety. After that I realized the question was 'Will I be able to write for actors who have never been in front of a camera?

Rojen leta v Roubaixu v Franciji. Born in in Roubaix, France. At first establishing himself as cameraman, Desplechin made his middle-length debut in The characters in his seemingly chaotic films always tend to waver between the normal and abnormal.

Jimmy P. In his signature meditative style Apichatpong Weerasethakul is pondering on time, memory, consciousness and different aspects of human mind.

Magija, zdravilstvo, romantika in sanje v tem okolju tvorijo del Jeninega popotovanja v globlje zavedanje o sebi in o svetu okrog nje. Soldiers with a mysterious sleeping sickness are transferred to a temporary clinic in a former school.

The memory-filled space becomes a revelatory world for housewife and volunteer Jenjira, as she watches over Itt, a handsome soldier with no family visitors.

Jen befriends young medium Keng who uses her psychic powers to help loved ones communicate with the comatose men. Doctors explore ways, including coloured light therapy, to ease the men's troubled dreams.

Jen discovers Itt's cryptic notebook of strange writings and blueprint sketches. There may be a connection between the soldiers' enigmatic syndrome and the mythic ancient site that lies beneath the clinic.

Magic, healing, romance and dreams are all part of Jen's tender path to a deeper awareness of herself and the world around her.

I merged the image of the soldiers together with my hospital and my school in Khon Kaen. Over those three years, the political situation in Thailand had come to a dead end up to the present actually.

I was fascinated with sleeping and jotted down my dreams. I think it is a way to escape the terrible situations in the streets.

Rojen leta v Bangkoku, Tajska. Born in in Bangkok, Thailand. Initially involved in short-length films and videos, Weerasethakul's artistic projects and feature films have won numerous awards; e.

Filmski pogled na enakost med spoloma, v katerem se pod taktirko Philippa Garrela zrcali daljni odsev francoskega novega vala.

Potem Elizabeth odkrije, da ima ljubimca tudi Manon …. Pierre and Manon live a hand-to-mouth existence. They make documentary films without a cent and they get by with odd jobs.

Pierre meets a young intern Elisabeth who becomes his mistress. But Pierre doesn't want to leave Manon for Elisabeth — he wants to keep them both.

One day Elisabeth discovers that Manon has a lover, too. For me In the Shadow of Women is a film about the equality of men and women in as far as cinema can achieve this.

Which meant providing enormous support for the female character, and going against the male one: cinema was designed by men and it is always them who determine our portrayals, our ways of seeing things and telling things, even though, fortunately, there are more and more women making films.

Rojen leta v Boulogne-Billancourtu, Francija. J'entends plus la guitar, eden vrhuncev njegovega opusa, mu je prinesel srebrnega leva, kar je ponovil leta s filmom Navadna ljubimca.

Born in in Boulogne-Billancourt, France, Garrel made numerous shorts during his youth. A child of the Nouvelle Vague, he continued his path with Marie for Memory, his debut feature.

Philippe Garrel's cinematic contemplation of gender equality reflects subtle influences of the French New Wave. Amos Gitai's masterful tribute to Israeli Prime Minister, Yitzhak Rabin, on the 20th anniversary of his assassination meticulously reconstructs the tragic event and seeks to identify the culprits.

On the evening of 4 November , Prime Minister Yitzhak Rabin is shot down at the end of a huge political rally in the centre of Tel-Aviv.

His killer apprehended at the scene turns out to be a year-old Jewish observant. Investigation into this brutal murder reveals a dark and frightening world that made this tragic deed possible.

A subculture of hate fuelled by hysterical rhetoric, paranoia and political intrigue. The extremist rabbis and militant Israeli settlers for whom peace meant betrayal.

And the security agents who saw what was coming and failed to prevent it. In fact, some of them are now flirting with power. I am alarmed by the growing existence of a violent Jewish religious underground in the heart of Israeli secular society.

Leta se je vrnil v domovino. Born in in Haifa, where he studied architecture and technical studies and became involved in filmmaking. Gitai furthered his study of architecture at the Berkeley University in California.

He made numerous documentaries for the Israeli television, two of which were censored. Clashing swords with the censors, Gitai moved to Paris in , and explored the issues of immigrants, exiles and history.

He returned to his homeland in Costache Marinescu nr. Masterfully juggling the viewers' expectations, Romanian filmmaker's The Treasure effortlessly walks the line between storytelling and history.

Costi samega sebe vidi kot junaka — tistega, ki popravlja krivice in brani zatirane. Costi leads a peaceful life.

At night he likes to read his 6-yearold son stories, to help him sleep. Their favourite is Robin Hood. Costi sees himself as the hero — righter of wrongs and defender of the oppressed.

One evening, his neighbour pays him an unexpected visit and shares a secret: there's treasure buried in his grandparents' garden, he's sure of it.

If Costi hires a metal detector to help locate it, he'll give him half of whatever they get. Sceptical at first, in the end Costi can't resist.

The two accomplices have one weekend to locate the loot. Po letu je postala klub s striptizetami. Our situation sparked a number of questions: what is our present?

How do we experience it? How do we relate to history? After , it re-opened as a striptease joint. Rojen v Romuniji. Born in in Romania, Porumboiu graduated from the University of Bucharest in Politist, adj.

A heart-rending portrait of contemporary Russian society, spotlighting an ordinary individual taking a stand against an entire system of corrupt city officials to save the lives of social outcasts.

Dima Nikitin is a simple plumber, an honest man from a small Russian town. One night, he receives a call that the pipes have burst at a dorm inhabited mainly by drunkards and outcasts.

People need to be evacuated immediately. But nobody cares about a bunch of social undesirables. Guided by his moral conscience, Dima takes on the full gamut of indifferent and corrupt bureaucrats to convince them to take action.

A year later, he started to direct short films and write screenplays. Not the past, but the models of human relations that have existed for hundreds of years in Russia.

Russian politics is based on lies, and the character is not affected by this social disease. Thank God these people exist to give us this high example of truth.

We need such people. Chronicling the realities of Eastern Europe in the s, Aferim! Romunija, Romania, On their odyssey Costandin and his fifteenyear-old son encounter people of different nationalities and beliefs: Turks and Russians, Christians and Jews, Romanians and Hungarians.

Experienced Constandin has little trouble finding the fugitive who's hiding together with a boy called Tintiric, and bring him back to claim his well-earned reward.

Radu Jude explores his native Wallachia at a time when social realities were reflecting older times and an outdated mentality. One of those issues is Gypsy slavery, a phenomenon which is almost inexistent in the public debate today, although its impact continues to influence Romania's social life.

Born in Bucharest in , Jude graduated in film from Bucharest's Media University and worked as an assistant director whilst still studying.

In , he came to worldwide attention with his debut feature film, The Happiest Girl in the World, which screened at the Sundace Festival and was awarded at the Berlinale Forum.

His work as an airport baggage handler does not exactly stretch him and he has never had a girlfriend. The only thing that really interests him are World War II battles, which he painstakingly reconstructs using small model tanks and soldiers at home, in his mother's flat which is both his refuge and his prison.

But on the other hand this film has a universal appeal. It's an inspirational story about a man taking a significant step into the rest of his life.

This is something that most people can relate to, I hope. Born in in Paris. Graduated from the National Film School of Denmark in Kari has also asserted himself as a musician; he is bandleader of Slowblow, and wrote the score for Dark Horse, the film that won top prize at the Ljubljana International Film Festival.

While probing into the complex relationship between a mother and the daughter she has abandoned the amazingly dynamic and comic family drama provides an incisive and uncompromising social commentary.

Val is the kind of live-in housekeeper who, in line with the Brazilian social tradition, has subjected her most intimate expectations and desires to her work.

One day, Val's daughter Jessica arrives to take the college entrance exams and make peace with her mother. Jessica's confident presence upsets the strict balance of power in the household.

In the 90s she directed a series of short films and in made Durval Discos, her first feature that won a number of festival awards.

The Second Mother is her fourth and internationally most successful feature. An unexpected friendship between an Amazonian shaman and European researchers develops in the deepest recesses of the Colombian virgin forest.

Over the course of 40 years, two scientists travel through the Amazon in search of a sacred plant that could heal them. In the primeval forest they encounter Karamakate, an Amazonian shaman, last survivor of his people.

From this encounter, an epic story emerges about approach, betrayal and life-transcending friendship between the shaman and the researchers.

V tem procesu sem odkril dnevnike prvih raziskovalcev kolumbijske Amazonije, ki so me popolnoma prevzeli in mi ponudili zgodbo, iz katere sem izhajal.

So for the following project I wanted to take a journey to the unknown! For a Colombian there is nothing more unknown than the Amazon — it's half the country but we don't know much about it.

I wanted to search for new ideas. In that process I discovered the journals of the first explorers in the Colombian Amazon and I thought they were fascinating, they gave me a story to work with.

A teenage film about the search for love based on American author Phoebe Gloeckner's graphic novel of the same name.

San Francisco, sedemdeseta leta. Mestni parki so polni dolgolascev, mamila so na vsakem koraku. Gre samo za seks ali je to ljubezen?

Od tega trenutka naprej seks usmerja vse njene misli. San Francisco, s. The parks are full of long-haired people and drugs are everywhere.

Fifteen-year-old Minnie loves comics and is crazy about drawing. She is unsparingly honest when it comes to confessing her most intimate thoughts and experiences to a tape recorder that serves as a diary.

She has just had sex for the first time — with her mother's boyfriend of all people. He is much older than Minnie. Afterwards she is happy and confused.

Is it just sex or is it love? From this moment onwards sex governs all Minnie's thoughts. In between her passionate affair with her mother's boyfriend and hanging out with those of her own age, she tries out all sorts of stuff, including some things she later regrets.

For whatever reason, I felt that stories about adolescents coming of age had always tended to be focused on young men. And as a young woman, I had to relate to those male protagonists, because that was all I had.

I felt so excited to bring a young heroine to the screen, a heroine who is amazing and interesting and brave and flawed, who can fill the role that's been missing for young girls.

Rojena leta v Kaliforniji, ZDA. Heller was so taken with it that she first turned it into a stage play and then into her debut feature film.

Od tod sva dobila zamisel. Layabout and small-time hood, Mousa has all kinds of skills. A refugee camp resident, this Palestinian does not give a damn about his father's hard-won permit to work legally in the Israeli part of Jerusalem; he would rather earn a living stealing and selling Israeli cars.

Mousa is convinced that his future lies far away from all the violence and constraints that mark the life in the divided city.

Following the theft of a Passat one day he is given a brutal going-over by Palestinian militia-men. On closer inspection of the vehicle, he makes a discovery which suddenly makes apolitical Mousa of interest to all sides.

Not necessarily a comedy genre. We wanted something that was weird, and would feel dreamy, fairy tale-ish. When things are so awkward and with so many events that happen to you, it can make you laugh and cry at the same time.

When things are so absurd there will be always comedy behind it. Palestinec, rojen leta v Kuvajtu. Njegov prvi kratki film Lesh sabreen?

A Palestinian born in Kuwait in , Alayan studied in San Francisco before returning to Bethlehem to make films about the realities of life for young Palestinians.

His first short film, Lesh Sabreen? Love, Theft and Other Entanglements marks his feature-film debut. Muayad and Rami Alayan defiantly tread their own path in a playful film that provokes laughs while exploring the situation in Palestine.

An innovative tribute to the French New Wave Cinema. Lesh sabreen? A world ruled by women with men hovering on the brink of extinction.

The offbeat and daring mockumentary centres on one of the last surviving males struggling for the preservation of his kind. Andrew Myers je star sedemintrideset let.

Aged thirty-seven, Andrew Myers is the youngest man still living on Earth as men have been threatened with extinction. For over half a century women spontaneously give birth to children — girls — without any contribution from male genes.

Men quickly disappeared from all major posts, and sex and violence were outlawed. The remaining men are now cared for in special reservations or used as cheap labourers such as Myers.

Taciturn and unremarkable, Andrew is a housekeeper engaged in a life-ordeath struggle for survival of men on Earth.

When I start doing things seriously, I start mocking them right away. I marvel at people who do serious drama, but I prefer to get a laugh than tears.

Rojen leta v Britanski Kolumbiji, Kanada. Born in in British Columbia, Canada, Sawers graduated in film in from the University of British Columbia and began his career in the s making short films such as Shoes Off!

His penultimate feature, Camera Shy, has screened at a number of festivals and won various awards. Zdi se, da ni stvari, ki bi jo spravila iz tira.

Dedicated home-care nurse Vlasta lives for her husband, her daughter and her patients. This abstemious woman who radiates joy begins each day with a drop of plum brandy, and not even the whims of her clients can wipe that sweet smile off her face.

One ordinary day ends differently from all the others, however, and not only Vlasta but everyone around her is going to have to get used to the fact that she's the one who's going to need looking after.

I retreated into seclusion and headed to my parents' place in the countryside to get some peace and quiet while writing, but my talkative mother kept disturbing me with her never-ending, bizarre stories from work.

She was working as a nurse, doing home care, and one meets an array of interesting people there. You see it now, but it took me a while to realise that the best idea was right there in front of me my whole life — in the character of my mother.

A director of over commercials and some shorts, Home Care marks his feature debut. An easy-going, minimalistic narrative presented with astounding proficiency, in which a story emerges from a story, and reality and dreams are strangely intertwined.

Opozorilu sledijo vljudnostne fraze, kmalu zatem pa se neznanca zapleteta v pogovor. A frustrated young actress is feeling depressed because nobody has come to the play in which she is acting.

On top of that, she has broken up with her boyfriend. Having a think in a park, she receives a call from a friend informing her of having a bad dream about her and warning her to stay alert.

Still sitting on the park bench, she meets a detective with a strange gift — he knows how to interpret dreams. The detective realises that her dream sounds just like a case he is working on.

The plot quickly shifts to a plane where dream logic prevails, and the line between illusion and reality is not entirely clear. When my father was sick, there were many incidents where he was confused between dreams and reality.

I think that made me start to look at dreams and reality more closely. Born in , in Seoul, South Korea. After graduating from the Seoul Institute of the Arts with a degree in film, has was assistant director for several films, including the critically acclaimed South Korean director Hong Sang-soo.

He debuted in with Romance Joe, which received several festival awards. A Matter of Interpretation is his second feature. This black as tar comedy if quoting the filmmaker charts the dissolution of a commune for sober living, painting the picture of the s suburban New Jersey social fabric.

Married couple Jim and Lucy run a commune for sober living out of their suburban New Jersey home. The motley members eat, bathe and work together selling homemade 'health tea' out of their van.

Although there's constant bickering and plenty of fires to be put out, Jim and Lucy have managed to establish a haven for these outcasts.

But the harmony is interrupted when Ann, a recovering addict and the ex-lover of one housemate, arrives. Ann's insidious presence sends the members spiralling out of control.

In the end, it's a documentary of a fictional world — one that deals with the need for family, love, and humiliation.

Born in in Massachusetts, Silver grew up in Brooklyn. Since then, he has directed at high speed several short films and has established himself on the indie scene with five feature films.

Recently, Filmmaker magazine has named Silver 'one of the most interesting emerging directors in U. The Romanian new wave has not lost momentum: Radu Muntean's new film features a witness to a murder who finds himself wrestling with his conscience.

Ko vse potihne, iz stanovanja izstopi Vali, sosed iz drugega nadstropja. Patrascu is in his 50s. The first hour of the film doesn't even reveal his first name.

He is simply a man everybody can depend upon. One morning, as he climbs the stairs home, Patrascu hears a violent conflict between a woman and a man from inside one of the apartments.

The noise in the apartment suddenly stops, and out comes Vali, his second-floor neighbour. Patrascu gives an automatic nod and wordlessly walks up the stairs to his apartment.

While performing his household chores Patrascu is surprised to see neighbours and police swarming around the building entrance. Laura, the young woman from the second floor, was found dead, following a blow to the head.

And I do agree that I like to create filmic structures with minimal means, and make my storytelling presence felt as little as possible.

To my mind, viewers must be seduced, not manipulated; they must be brought to a point where they organically assimilate the story, assemble the information out of the puzzle provided in the film, with the feeling they are building the story structure themselves.

Born in Bucharest in In he graduated from the Film and Theatre Academy in his hometown, where he made his first short films. He has also directed over ads, which have won a great number of awards.

One Floor Below is Muntean's fifth feature. Filmmaker Jonas Carpignano's feature debut graphically depicts Europe's ruthless immigration policy.

Ayiva recently left his home in Burkina Faso in search of a way to provide for his sister and daughter. He takes advantage of his position in an illegal smuggling operation to get himself and his best friend Abas off the continent.

The migrants are captured by the Italian border police and taken to aliens centre. In order to stay in the 'promised' land Ayiva and Abas have to find contract work within three months, but when tensions with the local community rise, things become increasingly dangerous.

For me it's enough if people stop looking at this as a group of migrants, or immigrants, and start thinking of them as individual people.

I think that the more we can identify and see some of ourselves in their experience, the more compassion people will have.

Rojen leta v Rimu, Italija. He is currently based in Italy and has been involved in filmmaking for the past five years.

His work has been shown at prestigious festivals including the Cannes, Venice, and the New York film festivals. Focusing on a woman forced into making radical changes by reason of economic and social pressures, A Blast is a devastatingly personified portrait of a generation of Greeks affected by both financial and existential crises.

Maria one day decides to leave behind her life, which no longer makes any sense to her. From carefree days on the beach and her passionate love affair, the film shows her descent into nervous breakdown.

With three young children to look after, her wheelchair-bound mother, her absent husband and the country's economic situation, Maria's personal crisis explodes in an impressive crescendo, a destructive blast of emotions and irrational acts.

Bori se proti vsem ljudem, ki jih ima rada, in celo proti sebi. It's the story of a woman who decides to change her life radically. She fights against all the people she loves, and even herself.

Because she wakes up one day and no longer recognises herself. The film is not based on a true story about a particular person. But it stems from the experiences of a whole generation deeply affected by the financial crisis our country has been going through in recent years.

Rojen leta v Solunu. Born in in Thessaloniki, Tzoumerkas studied theatre as well as film and television directing at the University of Athens.

After enjoying success with his first shorts, Tzoumerkas contributed to numerous documentary TV-shows, and had a brief acting career. A critical view of a society that still struggles with gender inequality and a harrowing tale about a Kosovan patriarchal microcosm forced to come to terms with the raping of women by Serb forces during the war.

In a traditional village in Kosovo, a year after the war when people are rebuilding their lives, the female school teacher Lushe is driven by her inner conscience to give an interview to an international journalist, telling her that she and three other women from the village were raped by Serbian forces.

When the news is published, the male villagers start being suspicious about their wives. As soon as they realise that it was Lushe who spoke to the journalist, they start to stigmatise her and her little boy, asking her to leave the village, and trying to find out if their own wives were among those raped.

O njej ni bilo lahko posneti filma. Born in Vusanje, Montenegro, in Proka has featured at many international festivals, including the Cannes Film Festival.

It was not easy to make a film about it. The characters are psychologically complex, always on the edge of certain emotions. I did not want to make a film that was hard to watch, but I still didn't want to avoid the drama and relations between the characters.

A touching social drama about a primary-school teacher whose desperate situation compels her to make some difficult choices.

Nade is an honest, hard working primary-school teacher struggling to keep her life together in a small Bulgarian town. With the home she shares with her unemployed, drunkard husband and young daughter on the brink of repossession and no money to her name Nade resorts to measures her former self, untouched by the realities of economic desperation and moral compromise, would have found depraved, as she makes one last extreme effort to secure the money she needs.

Everybody suspected that she was a junky, a criminal Nobody suspected that the bank robber was a decent school teacher with two master's degrees.

The way it sounds — 'Teacher robbed a bank!!! This event from our reality left a deep trace in us and made us ask ourselves — what makes a decent person become a criminal?

Their shorts have been selected for and awarded prizes at several international festivals, including Clermont-Ferrand, Bussan and Brussels.

The Lesson is their first feature film. Winner of the Grand Jury Prize at this year's Sundance Festival, The Wolfpack is a heart-rending documentary about the Angulo children who spent most of their childhood locked away in a Manhattan apartment and whose only contact with reality was — cinema.

For a decade and a half, the seven Angulo children were locked away from the evils of society and dangers lurking on every possible corner in an apartment on the Lower East Side of Manhattan.

Nicknamed the Wolfpack, the brothers spend their childhood re-enacting their favourite films using elaborate homemade props and costumes.

With no friends, they feed their curiosity, creativity, and imagination with film, which allows them to escape from their feelings of isolation and loneliness.

Everything changes when one of the brothers escapes, and the power dynamics in the house are transformed. V stvarnosti ti dekle ne stre vedno srca. V minulem desetletju se je ukvarjala predvsem s snemanjem kratkih filmov in videospotov.

A New York-based director and producer, Moselle has been engaged in short-form storytelling and videos for the past decade. She also produced the feature-length documentary, Excavating Taylor Mead.

The Wolfpack is her feature directing debut. The downside to all the movies — and the Angulo brothers have seen, like, 5, — is that there are certain formulas to them.

Real life is different. In real life, the girl doesn't always break your heart. The boys are still struggling to understand that. Moj um potuje po Sibiriji, vendar so moje misli doma.

A hypnotic series of highly expressive black-and-white images, tableaux vivant, opening spaces that exist inbetween the stillness and perpetual motion, the official history and intimate experience.

On the night of 14 June , many thousands of inhabitants of Latvia, Lithuania, and Estonia — identified as "anti-Soviet elements" by the USSR, which had annexed the Baltic States the previous year — were forced onto trains and sent to the remotest outposts of Siberia.

Thousands of families were torn apart and forced to endure brutal conditions for nearly two decades until their eventual release.

We follow the story of philosophy student, Erna, who gets abducted with her daughter. Together with other women and children, they are deported to a Gulag in Eastern Siberia where they will remain for 15 years.

Yet Erna never forgets her home or stops longing for it. My mind is travelling in Siberia, but my thoughts are at home.

Tableaux vivant seemed like the right choice because I wanted the audience to feel the same thing, in a sense. Rojen leta v Talinu, Estonija. He has completed further directing courses both in Europe and the US and is currently attending an MA course in stage directing.

He has won several competitions and scholarships with his projects. In the Crosswind is Martti's feature debut.

Julija Steponaityte Sangaile ,. Auste , Jurate -. Konarskio g. A sensual, spirited and torrid summer affair between two teenage girls.

World Cinema Directing Award at Sundance. Afraid of heights, she has never dared to even enter in one of the cockpits. At a summer aeronautical show, nearby her parents' lakeside villa, she meets Auste, a local girl of her age, who unlike Sangaile, lives her life to the full with creativity and dare.

As the two girls become lovers, Sangaile allows Auste to discover her most intimate secret, and finds in her teenage love the only person to truly encourage her in flying.

Opraviti mora nekaj notranjih bojev za samoosvoboditev in dosego sanj. Aerobatics, an extreme sport, requires true self-control and that is just the thing that Sangaile seems to lack the most.

She has to struggle within to free herself and achieve her dream. Rojena leta v Vilni, Litva. She then decided to pursue her studies in France, graduating from Avignon's National Fine Arts School before entering Paris' Beaux Arts School where she specialised in photography and video.

She lives and works in France. Dawn of the Dead meets Mad Max in this post-apocalyptic road movie that will have all lovers of zombies, bizarre action and dark humour nailed to their seats.

In the aftermath of a comet breaking up over the Earth, most of the planet's population quickly succumb to a strange disease which turns them into 'zombies'.

One of the few survivors, family man Barry has lost everything except his sister Brooke. But even as the disaster unfolds, Brooke is kidnapped by a gang of paramilitary thugs and dragged off to a horrific medical lab run by a psychotic 'doctor' who is performing a series of deranged experiments on plague survivors.

In an attempt to save his sister Barry and two survivors, Benny and Frank, undertake a suicide rescue mission. Ogromno jih je. Odvrnil sem: 'To je to.

To bo pritegnilo. If you just make another zombie film, then nobody is going to be interested. There are just a lot of them out there.

My brother, after a couple of beers, came up to me and went, 'Zombies should release methane gas so it can run these Mad Max vehicles on them.

I said, 'That's it. That's the hook. Diplomiral je na Akademiji za digitalne medije v Sydneyju. His first foray into moviemaking came at age 13 with a small camera he received for his birthday.

He graduated from a digital media academy in Sydney, during which time he showed his photographic work, participating in a number of exhibitions, and shot promotional videos.

In he and brother Tristan founded Guerrilla Films production company. Wyrmwood: Road of the Dead marks his feature film debut. The taut thriller by South Korean filmmaker Hong Won-chan uses the serial killer metaphor to expose the dark side of the cut-throat workplace competition.

An exemplary officer worker and head of his family Kim Byung-guk murdered his entire family and disappeared into thin air.

Homicide detective Jong-hoon immediately begins his investigation at Kim's office but all of his colleagues seem to be hiding something.

He realises that Kim and an intern named Mirae were close and suspects something out of the ordinary. During his investigation, Jong-hoon obtains a CCTV footage of Kim entering the office parking lot immediately following the murder of his family but he was never seen exiting.

It is a social system in which 'working' is 'survival' and 'dismissal' is 'death'. This is the biggest contradiction that lies within Korean society today.

Sprva je delal kot scenarist, in sicer pri filmih The Chaser in The Yellow Sea , ki sta se uvrstila v program canskega filmskega festivala.

Born in in Changwon, South Korea. With his feature debut, Office, which displays his passion for genre cinema, he entered the Cannes Film Festival's official selection as director.

In this Russian nesting doll of a film, Canadian director Guy Maddin embarks on a hyperactive voyage into Freudian dreamscapes. An ultimate ode to lost cinema and forgotten genres.

Tam se od nikoder pojavi gozdar, ki pove svojo zgodbo o pobegu iz krempljev klana jamskih ljudi. Middle-aged, satin robe-clad Marv instructs us on the history and significance of bathing and invites us to have a warm bath.

Suddenly we are confronted with the crew of a doomed submarine chewing flapjacks in a desperate attempt to breathe the oxygen within.

Suddenly, impossibly, a lost woodsman wanders into their company and tells his tale of escaping from a fearsome clan of cave dwellers.

From here, Maddin takes us high into the air, into dreamscapes, spinning semi-autobiographic tales, leaving viewers shocked one moment, baffled the next, and then laughing hysterically.

I first became inspired to include intertitles with dialogue by Sternberg's The Scarlet Empress And I just thought, why would you abandon this wonderful vocabulary just because you could have actors talk?

In cinema too, vocabulary should just get bigger and bigger. Retrospectives of the filmmaker's unconventional experimental films, which have earned him countless prestigious awards, have been held at various festivals, including those in Paris, Buenos Aires, Washington, Boston, Los Angeles, New York and Rotterdam.

Z Guyem Maddinom sodeluje od leta Writer and filmmaker living in Winnipeg. He has been working with Guy Maddin since The latest offering from the master of Hong Kong action cinema enthrals with its vividly choreographed fight scenes and dramatic shoot-outs.

Hunga, vodjo kriminalnega sindikata. A operacija spodleti, zato jo Kitov nadzornik Vah prekine. Undercover cop Kit becomes a junkie in order to catch Mr.

Hung, the mastermind behind a crime syndicate. When the operation goes sour, his supervisor Wah decides to terminate the operation.

When Kit disappears without a trace, Wah defies the order from his commanding officer and tracks Kit to a prison in Thailand.

Thai Police officer Chai becomes a prison guard in order to raise money for his daughter who has leukaemia.

Kit turns out to be a suitable bone marrow donor who can save Chai's daughter. While Chai is determined to keep Kit alive, the warden wants him dead to ensure the smooth operation of the prison, which is the front for Mr.

Hung's organ trafficking business.

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